Jeffrey Hatcher's Murderers consists of three monologues from people who take a perverse pride in their crimes. Each person takes the stage and immediately proclaims, "I am a murderer." But there's nothing in these confessions that will chill the blood of a theatergoer; most people will be too busy laughing to be frightened.
Runs: January 28th - February 11th
Charlie Brown, Lucy, Linus, Sally, Schroeder, and a beagle named Snoopy navigate the joys and pitfalls of childhood: chaotic baseball games, unrequited valentines, World War One flying beagles, and five cent psychiatry. Great fun for the family!
Runs: March 10th - March 25th
Based on a true story, The Tin Woman is the story of a woman who receives a heart transplant and her eventual meeting with the family of the donor. Instead of relishing life after her heart transplant, Joy enters a downward spiral, unsure if she deserves a second chance. The Tin Woman uses humor and pathos to explore loss, family, and what it means to be given a new life.
Runs: April 20th - April 29th
I LOVE YOU BECAUSE is a modern twist on Jane Austen’s Pride and Prejudice , set in New York City. A young, uptight greeting card writer’s life is changed when he meets a flighty photographer. Along with their eccentric friends and siblings, they learn to love each other not in spite of their faults, but because of them.
Runs: June 2nd - June 17th
The songs of Journey, Bon Jovi, Def Leppard and other artists underscore a tale of big dreams in Hollywood. Soon after hopping off a bus from the Midwest, aspiring singer Sherrie Christian immediately finds herself in trouble. Coming to her rescue is Drew, a bar-back at the legendary club the Bourbon Room. With stars in their eyes, the young lovers chase their dreams, but a misunderstanding involving rock god Stacee Jaxx threatens to tear them apart.
Coming in July/August
Set in the 1880s, Dr. Givings runs his private medical practice when electricity is still a novelty. Dr. Givings, a kind -- if overly analytical -- scientist, has invented a device to relieve “hysteria.” The brilliant new device is a vibrator (or, as Dr. Givings refers to it, a “machine”). When Elizabeth, a grieving wet nurse, is brought in to care for the Givings’ baby, and Mrs. Sabrina Daldry, an anxious, depressed patient arrives for treatment, the Givings are forced to confront the realities of their marriage, their love for one another, and the nature of intimacy-- all without the help of an electrical current.
Coming in September